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Art, Technology and Nature: Renaissance to Postmodernity Revised Edition
Contributor(s): Paldam, Camillaskovbjerg (Editor)
ISBN: 1472411722     ISBN-13: 9781472411723
Publisher: Routledge
OUR PRICE:   $168.30  
Product Type: Hardcover - Other Formats
Published: August 2015
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Art | History - Modern (late 19th Century To 1945)
- Science | Philosophy & Social Aspects
Dewey: 701.05
LCCN: 2015007094
Series: Science and the Arts Since 1750
Physical Information: 322 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volume's 14 essays explore art, technology and nature's shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mannerist grotesques and the Wunderkammer, eighteenth-century plant printing, the climate and its artistic presentations from Constable to Olafur Eliasson, and the hermeneutics of bioart. In their comprehensive introduction, editors Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent of the ancient and medieval periods, in which art and technology were categorized as aspects of a common area of cultivated products and their methods (the Latin ars, the Greek techne), an area moreover supposed to imitate the creative forces of nature.