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The Many Cinemas of Michael Curtiz
Contributor(s): Palmer, R. Barton (Editor), Pomerance, Murray (Editor)
ISBN: 1477315551     ISBN-13: 9781477315552
Publisher: University of Texas Press
OUR PRICE:   $28.45  
Product Type: Paperback - Other Formats
Published: July 2018
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Performing Arts | Individual Director
- Performing Arts | Film - History & Criticism
Dewey: 791.430
LCCN: 2017046035
Physical Information: 1" H x 6" W x 9" (1.10 lbs) 352 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Hollywood--Casablanca, Yankee Doodle Dandy, The Sea Hawk, White Christmas, and Mildred Pierce, to name only a few. The most prolific and consistently successful Hollywood generalist with an all-embracing interest in different forms of narrative and spectacle, Curtiz made around a hundred films in an astonishing range of genres: action, biopics, melodramas/film noir, musicals, and westerns. But his important contributions to the history of American film have been overlooked because his broadly varied oeuvre does not present the unified vision of filmmaking that canonical criticism demands for the category of "auteur." Exploring his films and artistic practice from a variety of angles, including politics, gender, and genre, The Many Cinemas of Michael Curtiz sheds new light on this underappreciated cinematic genius. Leading film studies scholars offer fresh appraisals of many of Curtiz's most popular films, while also paying attention to neglected releases of substantial historical interest, such as Noah's Ark, Night and Day, Virginia City, Black Fury, Mystery of the Wax Museum, and Female. Because Curtiz worked for so long and in so many genres, this analysis of his work becomes more than an author study of a notable director. Instead, The Many Cinemas of Michael Curtiz effectively adds a major chapter to the history of Hollywood's studio era, including its internationalism and the significant contributions of European émigrés.

Contributor Bio(s): Pomerance, Murray: - Murray Pomerance is an independent scholar living in Toronto. He is the author or editor of many books, including The Man Who Knew Too Much, Moment of Action: Riddles of Cinematic Performance, and The Eyes Have It: Cinema and the Reality Effect. He is also the editor or coeditor of several book series in film studies.Palmer, R. Barton: - R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University in Clemson, South Carolina, and author or editor of many books, including Hollywood's Tennessee: The Williams Films and Postwar America and After Hitchcock: Influence, Imitation, and Intertextuality.