Thau's Primer: Effective Storytelling for Screenwriters (& Novelists) Contributor(s): Thau, Martin (Author) |
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ISBN: 1499554583 ISBN-13: 9781499554588 Publisher: Createspace Independent Publishing Platform OUR PRICE: $33.49 Product Type: Paperback Published: May 2014 |
Additional Information |
BISAC Categories: - Art | Film & Video |
Physical Information: 0.08" H x 6" W x 9" (0.14 lbs) 38 pages |
Descriptions, Reviews, Etc. |
Publisher Description: Contents Which material is suitable for an engaging story? Excitement results from contrast Satisfaction Closure Relevance Basic dramatic patterns Genres Love Adventure Investigation Chase Clarification Sublime Aristotle's dramatic patterns Simple Complicated Gripping Sentimental Plot Definition Suspense Definition Creation Suspense regarding an occurrence or decision Title Promised decision Purpose Doubt Suggestive representation Mantic Suspense regarding a clarification or meaning Reconstruction Surprise vs. Suspense Starting at the End Varying levels of knowledge between the audience and the hero Varying levels of knowledge between the characters Empathy Comic condition Qualities Expectation vs. Doubt Increasing Suspense Course of action Expectation Enter doubt Complications Relief Steps to create and optimize a dramatic story Questionnaire Action Idea Step Outline Screenplay Quote from chapter RETRACING ACTION "Retracing" action, on the other hand, excites the interest of the viewer in a different way. The decisive event towards which progressive action develops happens at the beginning of a retracing action. It's the first thing the viewer comes face to face with, but without the preparatory steps leading up to such result. Therefore, it surprises, even astonishes. The viewer is then primarily waiting for the explanation of the causes of this surprise. He is awaiting a scene which will provide this explanation. Whereas in a progressive story we see a fate unfolding itself and being sealed in real time, the major incidents of a retracing plot have taken place before the beginning of its telling, during which comprehension successively occurs. For example, the main character of a story discovers that something has been stolen from him. No suspense preceded this misfortune, i.e. the character didn't expect to be robbed. Almost like in a blind person who has been slapped, the unexpected stroke of fate causes suspense regarding the answer of the question: Who robbed me? When did it happen? How did it happen? The robbery victim looks here and there. Maybe he discovers tell-tale footprints in front of his door, and asks the neighbours if they have seen anyone. He retraces the course of what happened, i.e. its history. By comparison, in another story, the plan or goal set by the hero at the beginning leads him to carry it out bit by bit until at the end he completes the plan or reaches his goal. The deaf and dumb woman decides to study law, ignores her father's resistance, successfully registers at the university although she is already 30, studies and practices until she can finally pass the state exams. This action is not retracing or explanatory but instead, progressive, because its decisive event, passing the state exams, waits in the future. In order to make retracing action out of it, one must conceive the development differently; for example, the father of the young woman gets into difficulties with the law. His daughter warns him about a certain procedure and thereby saves his interests. Her knowledge of the correctness of a certain procedure is only possible when she is in the position to interpret the law. But she has no idea about these matters Or maybe she does? |