| The Complete Peanuts 1957-1958: Vol. 4 Hardcover Edition Contributor(s): Schulz, Charles M. (Author), Franzen, Jonathan (Introduction by), Seth |
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ISBN: 1560976705 ISBN-13: 9781560976707 Publisher: Fantagraphics Books OUR PRICE: $26.99 Product Type: Hardcover Published: November 2005 Annotation: This book gathers 730 daily and Sunday comic strips, the vast majority of which are not currently available in any in-print "Peanuts" collection, and over 100 of which have never been reprinted since their initial appearance in papers over 50 years ago. |
| Additional Information |
| BISAC Categories: - Art | Individual Artists - General - Design | Graphic Arts - Illustration - Literary Criticism | Comics & Graphic Novels |
| Dewey: FIC |
| LCCN: 2006355442 |
| Series: Complete Peanuts |
| Physical Information: 1.32" H x 8.72" W x 6.96" (2.06 lbs) 344 pages |
| Themes: - Chronological Period - 20th Century - Chronological Period - 1950's |
| Descriptions, Reviews, Etc. |
| Publisher Description: As the 1950s close down, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week Lost Weekend sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes the Goat and is driven from the field in a chorus of BAAAAHs); at least his newly acquired pencil pal affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star of this volume. |
Contributor Bio(s): Schulz, Charles M.: - Charles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course, and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post--as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts--and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate.) The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day--and the day before his last strip was published--having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand--an unmatched achievement in comics.Franzen, Jonathan: - Jonathan Franzen is a National Book Award and James Tait Black Memorial Prize winner and Pulitzer Prize finalist, and was shortlisted for the International IMPAC Dublin Literary Award. |