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Music Into Fiction: Composers Writing, Compositions Imitated
Contributor(s): Ziolkowski, Theodore (Author)
ISBN: 1571139737     ISBN-13: 9781571139733
Publisher: Camden House (NY)
OUR PRICE:   $71.25  
Product Type: Hardcover
Published: February 2017
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Literary Criticism | European - General
- Music | Genres & Styles - Classical
Dewey: 780.08
LCCN: 2016047441
Series: Studies in German Literature Linguistics and Culture
Physical Information: 0.9" H x 6.3" W x 9.3" (1.30 lbs) 260 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specificmusical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with aunique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers. Theodore Ziolkowski is Professor Emeritus of German and Comparative Literature, Princeton University.