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Poetics
Contributor(s): Aristotle (Author), Butcher, S. H. (Translator)
ISBN: 1605203556     ISBN-13: 9781605203553
Publisher: Cosimo Classics
OUR PRICE:   $11.39  
Product Type: Paperback - Other Formats
Published: October 2008
Qty:
Annotation: The writings of Greek philosopher ARISTOTLE (384BC322Bestudent of Plato, teacher of Alexander the Greatare among the most influential on Western thought, and indeed upon Western civilization itself. From theology and logic to politics and even biology, there is no area of human knowledge that has not been touched by his thinking. Poeticsone of Aristotles greatest worksis the philosophers grand and insightful essay on art and its purposes. Why must a story have a beginning, a middle, and an end? How can we define tragedy, and what is the artistic purpose of it? Is there one ideal kind of drama? What is the nature of poetry? How consciously should poets and playwrights construct their work? All these questions, and others, are discussed and debated in this, perhaps the single most significant text in Western critical tradition. Writers, actors, students of literature, and armchair philosophers will find it a challengingand rewardingread.
Additional Information
BISAC Categories:
- Language Arts & Disciplines | Writing - General
- Literary Criticism | Ancient And Classical
- Literary Criticism | Drama
Dewey: 808.2
Lexile Measure: 1410
Physical Information: 0.16" H x 5" W x 8" (0.18 lbs) 68 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
 
Descriptions, Reviews, Etc.
Publisher Description:
The writings of Greek philosopher ARISTOTLE (384BC-322BC)--student of Plato, teacher of Alexander the Great--are among the most influential on Western thought, and indeed upon Western civilization itself. From theology and logic to politics and even biology, there is no area of human knowledge that has not been touched by his thinking. Poetics--one of Aristotle's greatest works--is the philosopher's grand and insightful essay on art and its purposes. Why must a story have a beginning, a middle, and an end? How can we define tragedy, and what is the artistic purpose of it? Is there one "ideal" kind of drama? What is the nature of poetry? How consciously should poets and playwrights construct their work? All these questions, and others, are discussed and debated in this, perhaps the single most significant text in Western critical tradition. Writers, actors, students of literature, and armchair philosophers will find it a challenging--and rewarding--read.