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Latin American Women Filmmakers: Production, Politics, Poetics
Contributor(s): Martin, Deborah (Editor), Ross, Julian (Editor), Shaw, Deborah (Editor)
ISBN: 178453711X     ISBN-13: 9781784537111
Publisher: I. B. Tauris & Company
OUR PRICE:   $173.25  
Product Type: Hardcover - Other Formats
Published: March 2017
Qty:
Additional Information
BISAC Categories:
- Performing Arts | Film - History & Criticism
- History | Latin America - General
- Social Science | Women's Studies
Dewey: 791.430
LCCN: 2018296642
Series: World Cinema
Physical Information: 1" H x 5.5" W x 8.6" (1.05 lbs) 288 pages
Themes:
- Cultural Region - Latin America
- Sex & Gender - Feminine
 
Descriptions, Reviews, Etc.
Publisher Description:

Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region.
This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.


Contributor Bio(s): Martin, Deborah: - Deborah Shaw is Associate Dean of Research in the Faculty of Creative and Cultural Industries and Reader in Film Studies at the University of Portsmouth, UK. Shaw is the founding co-editor of the journal Transnational Cinemas, and author of The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013), and editor of Contemporary Latin American Cinema: Breaking into the Global Market (2007), and co-editor of The Transnational Fantasies of Guillermo del Toro (2014) with Ann Davies and Dolores Tierney.