| Creative Justice: Cultural Industries, Work and Inequality Contributor(s): Banks, Mark (Author) |
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ISBN: 178660129X ISBN-13: 9781786601292 Publisher: Rowman & Littlefield Publishers OUR PRICE: $55.44 Product Type: Paperback - Other Formats Published: January 2017 |
| Additional Information |
| BISAC Categories: - Social Science | Sociology - Social Theory - Political Science | Public Policy - Cultural Policy - Social Science | Media Studies |
| Dewey: 331.761 |
| LCCN: 2016044169 |
| Physical Information: 0.7" H x 5.9" W x 8.9" (0.66 lbs) 200 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Creative Justice examines issues of inequality and injustice in the cultural industries and cultural workplace. It first aims to 'do justice' to the kinds of objects and texts produced by artists, musicians, designersand other kinds of symbol-makers - by appreciating them as meaningful goods with objective qualities. It also shows how cultural work itself has objective quality as a rewarding and socially-engaging practice, and not just a means to an economic end. But this book is also about injustice - made evident in the workings of arts education and cultural policy, and through the inequities and degradations of cultural work. In worlds where low pay and wage inequality are endemic, and where access to the best cultural academies, jobs and positions is becoming more strongly determined by social background, what chance do ordinary people have of obtaining their own 'creative justice'? Aimed at students and scholars across a range of disciplines including Sociology, Media and Communication, Cultural Studies, Critical Management Studies, and Human Geography, Creative Justice examines the evidence for - and proposes some solutions to - the problem of obtaining fairer and more equalitarian systems of arts and cultural work. |
Contributor Bio(s): Banks, Mark: - Mark Banks is Professor in the Department of Media and Communication at the University of Leicester. His interest is in the cultural and creative industries, especially in relation to work and identity, employment, cultural policy and cultural value. He is the author of The Politics of Cultural Work (2007) and co-editor of Theorizing Cultural Work (2013, with Rosalind Gill and Stephanie Taylor). In 2016 he was appointed as the Director of the Cultural and Media Economies Institute (CAMEo) at the University of Leicester. |