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Ten Years on the Parish: The Autobiography and Letters of George Garrett
Contributor(s): Davies, Andrew (Editor), Morris, Mike (Editor), Wailey, Tony (Editor)
ISBN: 1786940566     ISBN-13: 9781786940568
Publisher: Liverpool University Press
OUR PRICE:   $148.50  
Product Type: Hardcover - Other Formats
Published: February 2018
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Biography & Autobiography | Literary Figures
- Literary Collections | Diaries & Journals
- History | Europe - Great Britain - 20th Century
Dewey: B
LCCN: 2018379579
Series: Liverpool English Texts and Studies Lup
Physical Information: 0.9" H x 6.2" W x 9.3" (1.46 lbs) 304 pages
Themes:
- Cultural Region - British Isles
 
Descriptions, Reviews, Etc.
Publisher Description:
George Garrett's autobiographical work Ten Years On The Parish, published here in full for the first time since it was written in the late 1930s, shines a light on the hardships and poverty endured by many in the years between the wars. Garrett was a merchant seaman, writer, playwright and
radical activist, who was central to working class politics and culture in the 1920s and 30s in Liverpool and beyond. He travelled the world, wrote a series of documentary reports about poverty and struggle in the 1920s and 30s, three plays influenced by the new realism of Eugene O'Neill, and a
series of short stories, which led George Orwell, who met him while researching The Road to Wigan Pier, to say he was 'very greatly impressed by Garrett'. In the late 1930s he was a founder member of Liverpool's Unity Theatre.

In Ten Years On The Parish Garrett touches upon his time in New York in the early 1920s, gives a graphic account of the unemployed struggles in Liverpool, including The First Hunger March in 1922, and reveals how he personally, as well as others in the working classes, struggled to survive in
Liverpool as it was caught up in the great depression of the 1930s. Published alongside Ten Years On The Parish are a series of letters exchanged from January 1935 to July 1940 between Garrett and New Writing editor John Lehmann, which reveal a unique insight into the relationship between a
working-class writer and his editor. Both original texts have extensive introductions by the editors, as well as a foreword by Frank Cottrell-Boyce, which establishes the context and importance of Garrett's work. This publication gives long-overdue credence to Garrett's importance as a writer and
radical, whose work occupies a unique and significant position as the central point of a compass linking Liverpool's radical, literary, cultural, and maritime history.