| Los Aposentos del Corral de la Cruz: 1581-1823: Estudio Y Documentos Contributor(s): Davis, Charles (Editor) |
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ISBN: 185566061X ISBN-13: 9781855660618 Publisher: Tamesis Books OUR PRICE: $109.25 Product Type: Hardcover Published: September 2004 Annotation: A detailed study of the private boxes of Madrid's first permanent playhouse The Corral de la Cruz (1579-1736) is the less well known of Madrid's Golden Age playhouses. This latest volume in Tamesis's Fuentes series is a detailed study of one of its most distinctive features: the boxes, or aposentos, from which the privileged and powerful, including Philip IV, witnessed the premieres of so many plays by Lope de Vega, Caldern and others. These boxes were rooms overlooking the yard, but were situated in private houses outside the walls of the playhouse, with independent access. Their structure and history are traced here through a substantial corpus of new documents containing information on the location, structure, dimensions, owners, lessees and users of the boxes and the houses, as well as the vexed question of payment for viewing rights. This provides an indispensable basis for the reconstruction of the first permanent theatre in the Spanish capital, in both its architectural and socioeconomic aspects. Charles Davis is a Ramn y Cajal Research Fellow at the University of Valencia and Honorary Research Fellow of Queen Mary, University of London Estudio pormenorizado de los aposentos del primer teatro permanente de Madrid El Corral de la Cruz (1579-1736) es el menos conocido de los dos corrales de comedias madrileos. Este ltimo tomo de las Fuentes de Tamesis es un estudio pormenorizado de uno de sus elementos ms caractersticos: los aposentos, o palcos, desde donde los espectadores ms privilegiados, entre ellos el propio Felipe IV, presenciaban los estrenos de tantas obras de Lope de Vega, Caldern y otros. Eran habitaciones que daban al patio, pero estaban situadas en casas particularesfuera de las medianeras del teatro, con entradas independientes. Se traza aqu su historia y estructura a travs de un nutrido corpus documental que ofrece nuevos datos sobre la ubicacin, estructura, medidas, propietarios, inquilinos y usuarios de los aposentos y las casas, adems de la problemtica de los pago |
| Additional Information |
| BISAC Categories: - Literary Criticism | Drama |
| Dewey: 792.094 |
| LCCN: 2004016261 |
| Series: Fuentes Para la Historia del Teatro en España |
| Physical Information: 0.94" H x 6.34" W x 9.22" (1.11 lbs) 320 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: The Corral de la Cruz (1579-1736) is the less well known of Madrid's Golden Age playhouses. This latest volume in Tamesis's Fuentes series is a detailed study of one of its most distinctive features: the boxes, or aposentos, fromwhich the privileged and powerful, including Philip IV, witnessed the premieres of so many plays by Lope de Vega, Calderón and others. These boxes were rooms overlooking the yard, but were situated in private houses outside the walls of the playhouse, with independent access. Their structure and history are traced here through a substantial corpus of new documents containing information on the location, structure, dimensions, owners, lessees and users of the boxes and the houses, as well as the vexed question of payment for viewing rights. This provides an indispensable basis for the reconstruction of the first permanent theatre in the Spanish capital, in both its architectural andsocioeconomic aspects. CHARLES DAVIS is a Ramón y Cajal Research Fellow at the University of Valencia and Honorary Research Fellow of Queen Mary, University of London. El Corral de la Cruz (1579-1736) es elmenos conocido de los dos corrales de comedias madrileños. Este último tomo de las Fuentes de Tamesis es un estudio pormenorizado de uno de sus elementos más característicos: los aposentos, o palcos, desde donde los espectadoresmás privilegiados, entre ellos el propio Felipe IV, presenciaban los estrenos de tantas obras de Lope de Vega, Calderón y otros. Eran habitaciones que daban al patio, pero estaban situadas en casas particulares fuera de las medianerías del teatro, con entradas independientes. Se traza aquí su historia y estructura a través de un nutrido corpus documental que ofrece nuevos datos sobre la ubicación, estructura, medidas, propietarios, inquilinos y usuarios delos aposentos y las casas. |