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Representing Men: Cultural Production and Producers in the Men's Magazine Market
Contributor(s): Crewe, Ben (Author)
ISBN: 1859737366     ISBN-13: 9781859737361
Publisher: Berg Publishers
OUR PRICE:   $173.25  
Product Type: Hardcover - Other Formats
Published: November 2003
Qty:
Annotation: "New Lad culture" boomed in the 1990s with the publication of men's magazines such as loaded, FHM and Maxim. What were the commercial roots of this boom and what did it say about contemporary masculinity and the dynamics of cultural production?
Applying a cultural-economic approach and drawing on interviews with key figures at the sector's leading products, Crewe unwraps the means through which publishing companies comprehended and addressed the men's magazine audience in the 1990s. He argues that it was informal knowledge about cultures of masculinity held by editorial practitioners that was decisive in constituting individual magazines and the overall character of the sector. In exploring the cultural resources, identifications and ambitions around which the market crystallized, Crewe provides an in-depth comparison of the editors and editorial identity of loaded, the pioneer of the 'mass market', with those of Esquire and Arena, magazines associated with the sector's initial reformation. Clear and comprehensive, this work sheds new light on the commercial assessment and representation of modern masculine culture.

Additional Information
BISAC Categories:
- Social Science | Men's Studies
- Business & Economics | Advertising & Promotion
- Social Science | Media Studies
Dewey: 305.310
Lexile Measure: 1510
Series: Cultural Production and Producers in the Men's Magazine Mark
Physical Information: 0.69" H x 6.04" W x 9.38" (1.08 lbs) 320 pages
Themes:
- Sex & Gender - Masculine
 
Descriptions, Reviews, Etc.
Publisher Description:
New Lad culture boomed in the 1990s with the publication of mens magazines such as loaded, FHM and Maxim. What were the commercial roots of this boom and what did it say about contemporary masculinity and the dynamics of cultural production? Applying a cultural-economic approach and drawing on interviews with key figures at the sectors leading products, Crewe unwraps the means through which publishing companies comprehended and addressed the mens magazine audience in the 1990s. He argues that it was informal knowledge about cultures of masculinity held by editorial practitioners that was decisive in constituting individual magazines and the overall character of the sector. In exploring the cultural resources, identifications and ambitions around which the market crystallized, Crewe provides an in-depth comparison of the editors and editorial identity of loaded, the pioneer of the mass market, with those of Esquire and Arena, magazines associated with the sectors initial reformation. Clear and comprehensive, this work sheds new light on the commercial assessment and representation of modern masculine culture.