The Japanese Revolution in Paris Fashion Contributor(s): Kawamura, Yuniya (Author), Eicher, Joanne B. (Editor) |
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ISBN: 1859738109 ISBN-13: 9781859738108 Publisher: Berg Publishers OUR PRICE: $158.40 Product Type: Hardcover - Other Formats Published: May 2004 Annotation: Paris is renowned as the greatest fashion capital in the world. It has a rigid and tightly controlled system that non-western designers have difficulty penetrating. Yet a number of the most influential Japanese designers have broken into this scene and made a major impact. How? Kawamura shows how French fashion has been both disturbed and strengthened by the addition of "outside" forces such as Kenzo Takada, Issey Miyake, Yohji Yamamoto, Rei Kawakubo, and Hanae Mori. She considers many other key questions the fashion industry should be asking itself. Does the system facilitate or inhibit creativity? Has it become preoccupied with the commercial projection of "product images" rather than with the clothing itself? And what direction will French fashion take without Saint Laurent, Miyake and Kenzo? This is the first in-depth study of the Japanese revolution in Paris fashion and raises provocative questions for the future of the industry. |
Additional Information |
BISAC Categories: - Design | Fashion & Accessories - Business & Economics | Industries - Fashion & Textile Industry |
Dewey: 746.92 |
Lexile Measure: 1290 |
Series: Dress, Body, Culture (Hardcover) |
Physical Information: 0.64" H x 6.06" W x 9.52" (0.98 lbs) 198 pages |
Themes: - Cultural Region - French |
Descriptions, Reviews, Etc. |
Publisher Description: Despite recent challenges from New York, London and Milan, Paris is renowned as the greatest fashion capital in the world. Its distinctive categorization of haute couture, demi-couture, and prt--porter reflects a highly structured and tightly controlled system that non-western designers have had difficulty penetrating. Yet a number of the most influential Japanese designers have broken into this scene and made a major impact. How? Paris couturiers and designers operate a gate-keeping system that is not only exclusive and rigorous but highly demanding. But, Kawamura asks, does the system facilitate or inhibit new forms of creativity? She shows how traditional French fashion has been both disturbed and strengthened by the addition of outside forces such as Kenzo Takada, Issey Miyake, Yohji Yamamoto, Rei Kawakubo and Hanae Mori. At the same time she considers many other key questions the contemporary fashion industry should be asking itself. Has it, for example, become primarily preoccupied with the commercial projection of product images rather than with the clothing itself? And what direction will French fashion take without Saint Laurent, Miyake and Kenzo? This insightful book provides the first in-depth study of the Japanese revolution in Paris fashion and raises provocative questions for the future of the industry. |
Contributor Bio(s): Eicher, Joanne B.: - Joanne B. Eicher is Regents Professor Emerita at the University of Minnesota. Joanne is Editor-in-Chief, Encyclopedia of Dress and Fashion (Bloomsbury and OUP); Series Editor, Dress, Body Culture (Bloomsbury); Author, Editor, Co-Editor, The Visible Self, (Fairchild); Dress and Gender (Berg); Dress and Ethnicity (Berg); Beads and Beadmakers (Berg); Mother, Daughter, Sister, Bride (National Geographic); a wide variety of published articles in professional journals and chapters in books. |