| Materializing Art History Contributor(s): Doy, Gen (Author), Miller, Daniel (Editor), Gilroy, Paul (Editor) |
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ISBN: 1859739334 ISBN-13: 9781859739334 Publisher: Berg Publishers OUR PRICE: $67.32 Product Type: Hardcover - Other Formats Published: May 1998 |
| Additional Information |
| BISAC Categories: - Art | History - General - Political Science | Political Ideologies - Radicalism |
| Dewey: 701.03 |
| LCCN: 98218568 |
| Series: Materializing Culture |
| Physical Information: 0.9" H x 6.12" W x 9.38" (1.32 lbs) 288 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Quite a number of studies have assessed the value of Marxism to literary criticism, but there has been no recent and systematic study of what Marxism has to offer the social history of art. In situating the various strands of Marxist art history and the social history of art within ideological, political and historical contexts, this book represents a significant contribution to the study of visual culture at a time when old trends in Marxist art history are being reappraised. The author argues that the fragmented and confused state of the social history of art is the result of many radical cultural and art historians' move away from, rejection of, or even ignorance of Marxism, and their espousal of postmodern theories without any adequate method to position themselves in relation to these theories. Further, the reasons for this are ultimately to be found in the material conditions of late twentieth century culture and society, in the political disorientation of liberals and most of the Left, or what Jameson and Mandel describe as late capitalism. Focusing on developments in the visual arts over the last eighty years but drawing extensively on historical precedents, this book demonstrates that Marxism is far subtler than is commonly assumed. The author looks at works which appear 'easy' to understand in Marxist terms, but more importantly, non-figurative works and works by women and black artists which Marxists have generally shied away from tackling. Certain to become standard reading on a number of courses, this book clearly and persuasively demonstrates that Marxism can help the art and cultural historian take a more nuanced approach to visual culture. |
Contributor Bio(s): Gilroy, Paul: - Paul Gilroy is at the Department of Sociology at the London School of Economics.Miller, Daniel: - Daniel Miller Professor of Anthropology, University College London. Recent books include "A Theory of Shopping," "The Internet: An Ethnographic Approach" (with Don Slater) and Ed. "Car Cultures." |