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Shock and Naturalization in Contemporary Japanese Literature
Contributor(s): Cassegård (Author)
ISBN: 1905246293     ISBN-13: 9781905246298
Publisher: Brill
OUR PRICE:   $122.55  
Product Type: Hardcover - Other Formats
Published: March 2007
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: This book introduces the concepts of naturalization and naturalized modernity and uses them as tools for understanding the way modernity has been experienced and portrayed in Japanese literature since the end of World War II. Special emphasis is given to four Japanese writers: Kawabata Yasunari, Abe KEbE, Murakami Haruki, and Murakami RyE+. Notions of "shock" in modern city life, exemplified by the writings of Walter Benjamin and Georg Simmel, whilst present in the work of older Japanese writers, do not appear to hold true in much contemporary Japanese literature, as if the "shock" impact of change has evolved as a "naturalized" or "Japanized" process. The author focuses on the implications of this observation both regarding the theory of modernity and as an opportunity to reevaluate the works of Kawabata et al.
Additional Information
BISAC Categories:
- Literary Criticism | Asian - Japanese
Dewey: 895.609
LCCN: 2007532538
Physical Information: 256 pages
Themes:
- Cultural Region - Japanese
 
Descriptions, Reviews, Etc.
Publisher Description:
This study introduces the concepts of naturalization and naturalized modernity, and uses them as tools for understanding the way modernity has been experienced and portrayed in Japanese literature since the end of the Second World War. Special emphasis is given to four leading post-war writers - Kawabata Yasunari, Abe Kobo, Murakami Haruki and Murakami Ryu. The author argues that notions of 'shock' in modern city life in Japan (as exemplified in the writings of Walter Benjamin and George Simmel), while present in the work of older Japanese writers, do not appear to hold true in much contemporary Japanese literature: it is as if the 'shock' impact of change has evolved as a 'naturalized' or 'Japanized' process. The author focuses on the implications of this phenomenon, both in the context of the theory of modernity and as an opportunity to reevaluate the works of his chosen writers.