| Haunted Images: Film, Ethics, Testimony, and the Holocaust Contributor(s): Saxton, Libby (Author) |
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ISBN: 1905674368 ISBN-13: 9781905674367 Publisher: Wallflower Press OUR PRICE: $99.00 Product Type: Hardcover Published: October 2008 Annotation: Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the singular challenges this event presents to filmmakers, suggesting that filmic representations address the Holocaust as much through what they leave unseen -- through silences and ellipses -- as through what they visualise directly. Discussing films such as "Kapo" (1960), "Shoah" (1985) and "Histoire(s) du cinma" (1997), this important new study provides a compelling reading of how European cinema has responded to the particular problems that the Holocaust presents to filmmakers, and suggests compelling fresh insights into the relationship between visual art, cultural trauma and the power of the image. |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism |
| Dewey: 791.436 |
| Physical Information: 256 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the singular challenges this event presents to filmmakers, suggesting that filmic representations address the Holocaust as much through what they leave unseen - through silences and ellipses - as through what they visualise directly. Discussing films such as Kapo (1960), Shoah (1985) and Histoire(s) du cin ma (1997), this important new study provides a compelling reading of how European cinema has responded to the particular problems that the Holocaust presents to filmmakers, and suggests compelling fresh insights into the relationship between visual art, cultural trauma and the power of the image. |