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The Shaping of English Poetry- Volume III: Essays on 'Beowulf', Dante, 'Sir Gawain and the Green Knight', Langland, Chaucer and Spenser
Contributor(s): Morgan, Gerald (Author)
ISBN: 3034309155     ISBN-13: 9783034309158
Publisher: Peter Lang Ltd, International Academic Publis
OUR PRICE:   $77.96  
Product Type: Paperback - Other Formats
Published: March 2013
Qty:
Additional Information
BISAC Categories:
- Philosophy
- Literary Criticism | English, Irish, Scottish, Welsh
- Foreign Language Study | English As A Second Language
Dewey: 821.109
Physical Information: 0.66" H x 6" W x 9" (0.93 lbs) 287 pages
Themes:
- Cultural Region - British Isles
- Cultural Region - French
- Chronological Period - Ancient (To 499 A.D.)
 
Descriptions, Reviews, Etc.
Publisher Description:
This third volume of essays under the title The Shaping of English Poetry includes, as in the previous volumes, essays on Sir Gawain and the Green Knight, Langland, Chaucer and Spenser; it also includes essays on Beowulf and Dante. It was never the author's intention to exclude Old English poetry from the historical continuum of English poetry, and practical rather than ideological considerations explain the absence of Beowulf from the two previous volumes. The language of Beowulf is in all essentials the language of Sir Gawain and the Green Knight and Piers Plowman, in one and the same native alliterative tradition, and also the language of Chaucer, in the European tradition inherited from the great French and Italian poets. The transition from Beowulf to Dante may seem abrupt, but the poetry of Chaucer, whose assimilation of Italian influences is both formidable and remarkable, requires us to make it. Indeed, the exploration in this volume of Dante's exposition of love in the Purgatorio takes us to the heart of the poetry that we associate with the period of Chaucer's greatness in the 1380s and 1390s. Here we see not an anachronistic system of courtly love, imposed on medieval poems by modern critics, but distinctions of natural, sensitive and rational love that make sense (among other things) of the ending of Troilus and Criseyde as the poem's logical and persuasive conclusion.