Parkett No. 63 Tracey Emin, William Kentridge, Gregor Schneider: Collaborations Contributor(s): Emin, Tracey, Kentridge, William, Schneider, Gregor (Photographer) |
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ISBN: 3907582136 ISBN-13: 9783907582138 Publisher: Parkett Verlag OUR PRICE: $28.80 Product Type: Paperback - Other Formats Published: February 2002 Annotation: Presenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue #63 features collaborations with Tracey Emin (Great Britain), William Kentridge (South Africa), and Gregor Schneider (Germany), three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, in her confessional multimedia photographs, drawings, videos, and installations. Kentridge's highly-charged films, drawings, sculptures, and theatrical productions analyze the history of his native South Africa and the implications and legacy of apartheid. And finally, Schneider's inside-out abodes turn the seemingly cozy and reassuring context of home into a haunting maze of opened and closed rooms, claustrophobic corridors and tunnels, and impenetrable windows and doors. Each of these artists draws us into their private worlds, diminishing the boundaries between artist and audience. |
Additional Information |
BISAC Categories: - Art | Collections, Catalogs, Exhibitions - General - Art | Criticism & Theory |
Series: Parkett |
Physical Information: 0.69" H x 8.24" W x 10.1" (1.97 lbs) 300 pages |
Descriptions, Reviews, Etc. |
Publisher Description: Presenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue No. 63 features collaborations with Tracey Emin, William Kentridge and Gregor Schneider, three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, in her confessional multimedia photographs, drawings, videos and installations. Kentridge's highly-charged films, drawings, sculptures and theatrical productions analyze the history of his native South Africa and the implications and legacy of apartheid. And finally, Schneider's inside-out abodes turn the seemingly cozy and reassuring context of "home" into a haunting maze of opened and closed rooms, claustrophobic corridors and tunnels, and impenetrable windows and doors. Each of these artists draws us into their private worlds, diminishing the boundaries between artist and audience. |