| ʿali Qoli Jebādār Et l'Occidentalisme Safavide: Une Étude Sur Les Peintures Dites Farangi Sāzi, Leurs Milieux Et Commanditaires So Contributor(s): Habibi, Negar (Author) |
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ISBN: 9004355871 ISBN-13: 9789004355873 Publisher: Brill OUR PRICE: $114.95 Product Type: Hardcover Language: French Published: November 2017 |
| Additional Information |
| BISAC Categories: - History | Asia - General - History | Middle East - General - Art | Individual Artists - General |
| Series: Studies in Persian Cultural History |
| Physical Information: 222 pages |
| Themes: - Cultural Region - Asian - Cultural Region - Middle East |
| Descriptions, Reviews, Etc. |
| Publisher Description: In ʿAli Qoli Jebādār et l'Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world. ʿAli Qoli Jebādār et l'Occidentalisme safavide offre un nouveau r cit de la vie et des oeuvres de ʿAli Qoli Jebādār. Recueillant plusieurs peintures et signatures de l'artiste, Negar Habibi expose la discussion de divers titres royaux de l'artiste. ʿAli Qoli Jebādār et l'Occidentalisme safavide approfondit galement nos connaissances sur l' volution artistique et socio-politique de la soci t iranienne l'aube du modernisme. En consultant sans cesse les sources historiques, Negar Habibi montre la possibilit du patronage f minin et eunuque dans les peintures connues sous le nom de farangi sāzi au XVIIe si cle, tout en sugg rant l'utilisation d'un nouveau titre comme l'Occidentalisme pour ces peintures safavides qui montrent des d tails exotiques et trangers appartenant au monde occidental. |