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Whitman, Melville, Crane, and the Labors of American Poetry: Against Vocation
Contributor(s): Riley, Peter (Author)
ISBN: 0198836252     ISBN-13: 9780198836254
Publisher: Oxford University Press, USA
OUR PRICE:   $84.55  
Product Type: Hardcover - Other Formats
Published: July 2019
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- Literary Criticism | Poetry
- Literary Criticism | American - General
Dewey: 811.409
LCCN: 2018964543
Physical Information: 0.9" H x 5.4" W x 8.6" (0.95 lbs) 224 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
In Whitman, Melville, Crane, and the Labors of American Poetry, Peter Riley confronts our enduring and problematic investment in poetic vocation--a myth, he argues, that continues to inform how all our multifarious labors are understood, valued, and exploited. The book seeks to challenge a
dominant cultural logic that frames contingent, non-vocational labor as a necessary sacrifice that frustrates the righteous progress towards realizing that seemingly purest of callings: Poet.

Incorporating the often overlooked or excluded workaday ephemera of three canonical US Romantic poets--Walt Whitman, Herman Melville, and Hart Crane--this volume offers new archival insights that call for a re-examination of celebrated literary careers and disputes their status as renowned or tragic
icons of creative vocation. The poetry of Whitman the real estate dealer, Melville the customs inspector, and Crane the copywriter, Riley contends, does not constitute the formal inscription of an antagonistic or discreet poetic labor struggling against quotidian work towards the fulfilment of
exceptional individual callings. Instead, the distracted forms of their poetry are always already intermingled with a variety of apparently lesser labors. Ousting poetic production from its default sanctuary of privileged exemption or transcendent repose, the volume refigures the work of the poet as
a living sensuous activity that transgresses labor's various divisions and hierarchies. It consequently recasts the poet as a figure who actually unfastens the 'right of passage' vocational logic that does so much to secure and reproduce the current neoliberal paradigm.