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Theatrical Reenactment in Pindar and Aeschylus
Contributor(s): Uhlig, Anna (Author)
ISBN: 1108481833     ISBN-13: 9781108481830
Publisher: Cambridge University Press
OUR PRICE:   $114.00  
Product Type: Hardcover - Other Formats
Published: August 2019
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Additional Information
BISAC Categories:
- History | Ancient - General
- Drama | Ancient & Classical
Dewey: 882.01
LCCN: 2019000705
Series: Cambridge Classical Studies
Physical Information: 0.8" H x 6.19" W x 8.7" (1.23 lbs) 314 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
 
Descriptions, Reviews, Etc.
Publisher Description:
What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece.

Contributor Bio(s): Uhlig, Anna: - Anna S. Uhlig is Assistant Professor of Classics at the University of California, Davis, where she is also a member of the Graduate Group in Performance Studies. Her research focuses on the performance culture of Greek lyric and dramatic poetry in the archaic and classical periods. She has published on a wide range of topics related to ancient Greek song and is co-editor (with Richard Hunter) of Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric (Cambridge, 2017).