| Melodrama and Modernity: Early Sensational Cinema and Its Contexts Contributor(s): Singer, Ben (Author) |
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ISBN: 0231113293 ISBN-13: 9780231113298 Publisher: Columbia University Press OUR PRICE: $41.58 Product Type: Paperback - Other Formats Published: April 2001 Annotation: In this groundbreaking investigation into the nature and meanings of melodrama in American culture between 1880 and 1920, Ben Singer offers a challenging new reevaluation of early American cinema and the era that spawned it. Singer looks back to the sensational or "blood and thunder" melodramas (e.g., The Perils of Pauline, The Hazards of Helen, etc.) and uncovers a fundamentally modern cultural expression, one reflecting spectacular transformations in the sensory environment of the metropolis, in the experience of capitalism, in the popular imagination of gender, and in the exploitation of the thrill in popular amusement. Written with verve and panache, and illustrated with 100 striking photos and drawings, Singer's study provides an invaluable historical and conceptual map both of melodrama as a genre on stage and screen and of modernity as a pivotal idea in social theory. |
| Additional Information |
| BISAC Categories: - Performing Arts | Film - History & Criticism - Literary Criticism | American - Hispanic American |
| Dewey: 791.436 |
| LCCN: 00064547 |
| Lexile Measure: 1560 |
| Series: Film and Culture |
| Physical Information: 0.8" H x 7" W x 9.9" (1.50 lbs) 256 pages |
| Themes: - Ethnic Orientation - Hispanic |
| Descriptions, Reviews, Etc. |
| Publisher Description: In this groundbreaking investigation into the nature and meanings of melodrama in American culture between 1880 and 1920, Ben Singer offers a challenging new reevaluation of early American cinema and the era that spawned it. Singer looks back to the sensational or "blood and thunder" melodramas (e.g., The Perils of Pauline, The Hazards of Helen, etc.) and uncovers a fundamentally modern cultural expression, one reflecting spectacular transformations in the sensory environment of the metropolis, in the experience of capitalism, in the popular imagination of gender, and in the exploitation of the thrill in popular amusement. Written with verve and panache, and illustrated with 100 striking photos and drawings, Singer's study provides an invaluable historical and conceptual map both of melodrama as a genre on stage and screen and of modernity as a pivotal idea in social theory. |