| Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds Contributor(s): O'Regan, Daphne (Author) |
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ISBN: 0195070178 ISBN-13: 9780195070170 Publisher: Oxford University Press, USA OUR PRICE: $232.65 Product Type: Hardcover - Other Formats Published: October 1992 Annotation: This intelligent and thought-provoking reading of Aristophanes' Clouds focuses on logos, or the power of argument, and on the self-awareness of our second Clouds as a comedy of logos directed toward an audience made resistant by devotion to the body. Integrating the comical and philosophical agendas of the play and balancing rhetoric with comedy, O'Regan explores the Greek view of skillful speech as a kind of force and demonstrates the dramatic and thematic unity with which the Clouds challenges his conception. Discussing the differences between the play's first and second versions, O'Regan shows how the Clouds' comedy and its self-defined "history" tell the same story: onstage and off, speech is subordinate to human nature and desire. O'Regan's argument conveys much insight into fifth-century thought and the play's workings as well as placing the Clouds in the institutional and generic contexts of Athenian drama. Analyzing the role of the audience in the dynamic of the play and the impact of its comedy on the spectators, she argues that the Clouds is civic education, awakening personal reflections and contributing to the contemporary debate about democracy, language, and the city. |
| Additional Information |
| BISAC Categories: - Literary Criticism | Drama - Drama | Ancient & Classical - Literary Criticism | Ancient And Classical |
| Dewey: 882.01 |
| LCCN: 91029030 |
| Lexile Measure: 1570 |
| Physical Information: 0.87" H x 6.41" W x 9.57" (1.08 lbs) 224 pages |
| Themes: - Chronological Period - Ancient (To 499 A.D.) |
| Descriptions, Reviews, Etc. |
| Publisher Description: This is an intelligent and unusually thought-provoking reading of Aristophanes' Clouds. O'Regan focuses on logos, or the power of argument, and its effects, and on the self-awareness of the second Clouds as a comedy of logos directed toward an audience made resistant by devotion to the body. Within and without the play, logos meets defeat when confronted with human nature and desire. The argument conveys much insight into fifth-century thought and the play's workings, the more so because it balances rhetoric with comedy, and reminds the reader that this is a comic logos--explored in the comic mode, and connected with the intentions and vicissitudes of the first and second Clouds. |