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Way Up North in Dixie: A Black Family's Claim to the Confederate Anthem
Contributor(s): Sacks, Howard L. (Author), Sacks, Judith Rose (Author)
ISBN: 0252071603     ISBN-13: 9780252071607
Publisher: University of Illinois Press
OUR PRICE:   $25.74  
Product Type: Paperback - Other Formats
Published: October 2003
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: This book traces the lives of the Snowdens, an African American family of musicians and farmers living in rural Knox County, Ohio. Howard L. Sacks and Judith Rose Sacks examine the Snowdens' musical and social exchanges with rural whites from the 1850s through the early 1920s and provide a detailed exploration of the claim that the Snowden family taught the song "Dixie" to Dan Emmett--the white musician and blackface minstrel credited with writing it. This edition features a new introduction in which the authors discuss the public response to this controversial claim and present new information on the Snowdens' musical and social experiences.
Additional Information
BISAC Categories:
- Social Science | Ethnic Studies - African American Studies
- Music | History & Criticism - General
- Music | Genres & Styles - Folk & Traditional
Dewey: B
LCCN: 2003007169
Series: Music in American Life (Paperback)
Physical Information: 0.85" H x 6.04" W x 9.14" (0.94 lbs) 288 pages
Themes:
- Chronological Period - 1851-1899
- Chronological Period - 1900-1919
- Chronological Period - 1920's
- Ethnic Orientation - African American
- Geographic Orientation - Ohio
 
Descriptions, Reviews, Etc.
Publisher Description:
This book traces the lives of the Snowdens, an African American family of musicians and farmers living in rural Knox County, Ohio. Howard L. Sacks and Judith Rose Sacks examine the Snowdens' musical and social exchanges with rural whites from the 1850s through the early 1920s and provide a detailed exploration of the claim that the Snowden family taught the song "Dixie" to Dan Emmett--the white musician and blackface minstrel credited with writing the song. This edition features a new introduction in which the authors discuss the public response to this controversial claim, and present new information on the Snowdens' musical and social experiences.