Limit this search to....

Augustus, First Roman Emperor: Power, Propaganda and the Politics of Survival
Contributor(s): Clark, Matthew D. H. (Author)
ISBN: 1904675433     ISBN-13: 9781904675433
Publisher: Liverpool University Press
OUR PRICE:   $148.50  
Product Type: Hardcover
Published: September 2010
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Focuses on Augustus' rise to power and on the ways in which he then maintained authority throughout his reign. It examines the importance of his chief political advisor Maecenas and his military commander Agrippa, as well as the contrasting fates of the reign's main poets, Virgil and Ovid. Augustus claimed that he "found Rome brick and left her marble;" public monuments, as much as poetry, served to shape his reputation. It is often assumed that the close relationship between power and subtle presentation ("spin") is a modern phenomenon. Augustus, however, emerges as consummate master of the political process, using propaganda to fashion his own historical legacy.
Additional Information
BISAC Categories:
- History | Ancient - Rome
Dewey: 937.070
LCCN: 2010530840
Series: Greece and Rome Live
Physical Information: 0.7" H x 5.5" W x 8.6" (0.70 lbs) 160 pages
Themes:
- Chronological Period - Ancient (To 499 A.D.)
- Cultural Region - Italy
 
Descriptions, Reviews, Etc.
Publisher Description:
Rome's first emperor, Augustus, the adopted son of Julius Caesar, has probably had the most lasting effect on history of all rulers of the classical world. This book focuses on his rise to power and on the ways in which he then maintained authority throughout his reign. It is often assumed
that the close relationship between power and presentation, popularly known as 'spin', is a modern phenomenon. Augustus, however, emerges as consummate master of the political process, using propaganda to fashion his own historical legacy. Clark examines the importance of his chief political advisor
Maecenas, the patron of Horace and Virgil; and of his military commander Agrippa. He also considers the contrasting fates of the main poets of Augustus' reign, Virgil and Ovid, and the public monuments that - as much as poetry -- served to shape his reputation.