| Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 Volume 13 Contributor(s): Toepfer, Karl (Author) |
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ISBN: 0520206630 ISBN-13: 9780520206632 Publisher: University of California Press OUR PRICE: $68.26 Product Type: Hardcover - Other Formats Published: December 1997 Annotation: "A massive achievement. . . . Toepfer respects the body, wants to understand movement as the primary medium of ideas, and gives women the central role they actually played in this aesthetic and intellectual discourse."--Marcia B. Siegel, author of "The Shapes of Change |
| Additional Information |
| BISAC Categories: - Performing Arts | Dance - General - Social Science - Literary Criticism | Drama |
| Dewey: 613.709 |
| LCCN: 96034015 |
| Series: Weimar and Now: German Cultural Criticism |
| Physical Information: 1.43" H x 6.27" W x 9.24" (1.84 lbs) 439 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars-nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity." The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism. |