| Huston, We Have a Problem: A Kaleidoscope of Filmmaking Memories Contributor(s): Morris, Oswald (Author), Bull, Geoffrey (Author), Sidney Lumet, Michael Caine and (Foreword by) |
|
 |
ISBN: 0810857065 ISBN-13: 9780810857063 Publisher: Scarecrow Press OUR PRICE: $70.30 Product Type: Hardcover Published: February 2006 |
| Additional Information |
| BISAC Categories: - Biography & Autobiography | Entertainment & Performing Arts - Performing Arts | Film - Direction & Production - Biography & Autobiography | Personal Memoirs |
| Dewey: B |
| LCCN: 2005023072 |
| Series: Filmmakers |
| Physical Information: 1.01" H x 6.36" W x 9" (1.38 lbs) 320 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: In this captivating memoir, Oscar(R)-winning cinematographer Oswald ("Ossie") Morris looks back over his 58-film career as Director of Photography for such front rank directors as John Huston, Carol Reed, Joseph L. Mankiewicz, Stanley Kubrick, Ronald Neame, Vittorio De Sica, Franco Zeffirelli, Norman Jewison and Sidney Lumet. Though he eschews "kiss-and-tell," Ossie provides many personal and amusing insights into the making of many films, including Moulin Rouge, Moby Dick, The Guns of Navarone, Lolita, The Hill, Fiddler on the Roof, The Man Who Would be King and Oliver Morris photographed many of the top stars--Elizabeth Taylor, Richard Burton, Sophia Loren, Marlon Brando, Humphrey Bogart, Gregory Peck, Robert Mitchum, James Mason, Paul Newman, Michael Caine, and Sean Connery, among others--and relates a fund of intimate anecdotes about them. He also recounts his run-ins with legendary producer, David O. Selznick, who battered him with his infamous memos throughout the making of Stazione Termini, Beat The Devil and A Farewell to Arms. Morris also offers many technical revelations about making films in the pre-digital era, including groundbreaking innovations and camera tricks. For all those interested in the history of film, both at a personal and technical level, this is a rich and rewarding look into the world of cinema. |