| Cynthia Ozick S Comic Art: From Levity to Liturgy Contributor(s): Cohen, Sarah Blacher (Author) |
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ISBN: 0253313988 ISBN-13: 9780253313980 Publisher: Indiana University Press OUR PRICE: $29.65 Product Type: Hardcover - Other Formats Published: February 1994 Annotation: Bringing to bear insights from Jewish, literary, and cultural studies, Sarah Blacher Cohen sheds new light on the works of one of America's foremost writers. Arguing persuasively that Ozick's fiction is a form of comedy, Cohen interweaves religion and literature, skillfully illuminating the complex relationship between the comic and the sacred. Where others have emphasized Ozick's intellectualism and Jewish learning, Cohen foregrounds whimsicality, grotesque realism, irony, satire, and exuberance as the defining characteristics of Ozick's art in such works as Trust, The Cannibal Galaxy, The Messiah of Stockholm, "The Pagan Rabbi", and the Puttermesser stories. |
| Additional Information |
| BISAC Categories: - Education | Secondary |
| Dewey: 813.54 |
| LCCN: 93013994 |
| Series: Jewish Literature and Culture |
| Physical Information: 0.88" H x 5.78" W x 8.56" (0.97 lbs) 210 pages |
| Descriptions, Reviews, Etc. |
| Publisher Description: Cohen has succeeded in showing a fusion of Ozick's writing as sacred and comic. Defining humor broadly, Cohen persuasively argues that levity and liturgy are natural companions, enriching each other, especially in the creative imagination of Cynthia Ozick. --Midstream . . . a thoughtful introduction to a monumental though underrated writer. --SHOFAR This study is a welcome addition to the growing body of scholarly criticism of Ozick and focuses on her comedic style. --Choice Cohen has written an important . . . book, one that celebrates Ozick's 'liturgical laughter, ' emphasizing on every occasion the connection between the comic and the sacred. It is a connection we should be reminded of often. --Belles Lettres Cohen's readings of these stories reveal their many levels and meanings in a language as acute and perceptive as that of Ozick herself. --St. Louis Post-Dispatch Magazine In presenting Ozick as a 'comedian of ideas, ' Sarah Blacher Cohen has raised the study of Ozick to a new level. --Alan L. Berger [Cohen] understands Ozick's hybrid conception of human nature, her realization that the secret source of humor is not joy but sorrow and that the ironic mode . . . is the best way of telling the truth. --Daniel Walden |