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Zhou Mi's Record of Clouds and Mist Passing Before One's Eyes: An Annotated Translation
Contributor(s): Weitz, Ankeney (Author)
ISBN: 9004126058     ISBN-13: 9789004126053
Publisher: Brill
OUR PRICE:   $230.85  
Product Type: Hardcover - Other Formats
Published: June 2002
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368).
At the core of Weitz's book is a complete translation of the "Record of Clouds and Mist Passing Before One's Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296.
The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.
Additional Information
BISAC Categories:
- Art | Asian - General
- Architecture | Interior Design - General
- Social Science | Human Geography
Dewey: 709.510
LCCN: 2002025416
Series: Sinica Leidensia
Physical Information: 1.15" H x 6.52" W x 9.58" (1.90 lbs) 398 pages
 
Descriptions, Reviews, Etc.
Publisher Description:
Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368).
At the core of Weitz's book is a complete translation of the Record of Clouds and Mist Passing Before One's Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296.
The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.