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Asian Art History in the Twenty-First Century
Contributor(s): Desai, Vishakha N. (Editor)
ISBN: 0300125534     ISBN-13: 9780300125535
Publisher: Clark Art Institute
OUR PRICE:   $24.70  
Product Type: Paperback - Other Formats
Published: November 2007
Qty:
Temporarily out of stock - Will ship within 2 to 5 weeks
Annotation: Since its beginnings in the early 1900s, the study of Asian art has dramatically changed and has constantly been shaped by shifting world politics. "Asian Art History in the Twenty-First Century" explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by fourteen leading authors specializing in Chinese, East Asian, Indian, and Japanese art history. They consider what is meant by the term "Asian art"; how it is manifested in museums, exhibitions, and galleries; and how it should be understood in relation to shifting geopolitics. Among the many fascinating topics discussed are the Zen portrait in medieval Japan, the influence of Asian art on American art, and public art and memory of war in contemporary China. The authors also consider what new theoretical structures must be created to suit the realities of the twenty-first century and Asian art today.

Additional Information
BISAC Categories:
- Art | Asian - General
Dewey: 709.5
LCCN: 2007031443
Series: Clark Studies in the Visual Arts
Physical Information: 0.88" H x 7.13" W x 9.5" (1.62 lbs) 272 pages
Themes:
- Cultural Region - Asian
 
Descriptions, Reviews, Etc.
Publisher Description:
With essays by Frederick M. Asher, Melissa Chiu, John Clark, Gao Shiming, Yukio Lippit, Saloni Mathur, Kaja M. McGowan, Rana Mitter, Alexandra Munroe, Jerome Silbergeld, Kavita Singh, Nancy S. Steinhardt, Akira Takagishi, and Gennifer Weisenfeld

Since its beginnings in the early 1900s, the study of Asian art has dramatically changed and has constantly been shaped by shifting world politics. Asian Art History in the Twenty-First Century explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by fourteen leading authors specializing in Chinese, East Asian, Indian, and Japanese art history. They consider what is meant by the term Asian art; how it is manifested in museums, exhibitions, and galleries; and how it should be understood in relation to shifting geopolitics. Among the many fascinating topics discussed are the Zen portrait in medieval Japan, the influence of Asian art on American art, and public art and memory of war in contemporary China. The authors also consider what new theoretical structures must be created to suit the realities of the twenty-first century and Asian art today.